Books like… The Selection by Kiera Cass

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Welcome to a new series! So many times, after reading a book I love, I’ll go on to furiously search online for similar books which I’ll (hopefully!) also love, so in this ‘Books like…’ series, I’ll be taking a popular book and giving you some suggestions on books you might also enjoy. First up in the series: The Selection by Kiera Cass.

Beauty Queens by Libba Bray

Beauty Queens is a sort of dystopic satire – it’s set in an exaggerated version of our world, ruled by the corporation, who encourage endless shopping! It’s a fantastic, hilarious book that’s great in its own right, but I’d really recommend it if you enjoyed The Selection. Beauty Queens follows a group of girls who are all set to compete in a pageant together, but while they’re flying to their destination, the plane crashes and they end up stranded on a desert island.

For the first little while, most of the girls assume they’re going to get rescued and taken straight to the pageant, so they take the time to practice their talents, go over interview questions, and work on their tans. As time goes on, they realise that treating each other as competitors isn’t going to work out so well if they want to survive.

This book has a great ‘girls in competition‘ theme that The Selection has, which is so fun to read about. It also has a great, diverse range of characters, which is something I loved about The Selection. In that book, all the girls come from very different backgrounds, whether that’s their caste, their family, or their nationality/ethnicity, and this book is the same. You really get to know each girl, which is something I really enjoyed in The Selection. The other great thing this book shares with The Selection is the great female friendships that develop! Oh, Marlee…

The Glittering Court by Richelle Mead

This book was released recently and was often compared to The Selection, and suggested for people that loved that series. I think the comparisons between the stories aren’t as strong as they were made out to be over the release, but it definitely has some Selectioney vibes! The main similarity is the fact that all of these girls are living together in a grand house, and are taught things like upper class etiquette and style, which we get a lot of the in Selection. The reason I’d say the similarities were overplayed is that this isn’t the whole book, it’s just a part of it. Don’t let that stop you from reading it, I just was prepared for that to be the whole book so was surprised when there was so much more to it than that!

This has similar upper class/royalty vibes, with plenty of descriptions of outfits and dresses which sounds superficial but who cares I love it. It also has similar themes of female friendship and rivalry. The main friendships continue to develop throughout the book which I like, but the rivalry isn’t expanded upon too much and I hope we learn more about that character in the rest of the series! There are some really great scenes between the main character and her rival though – lines that make me want to shout ‘you go girl!’ and other things which I am far too white and British to be saying.

The setting has similar vibes too, as it’s set in a semi-fantasy world in that it’s a nonspecific historical time in terms of their technology and it has parallels to our own world. There’s also a fair amount of politics about different religions and ties with different countries, so if you like that political aspect of The Selection you’ll enjoy that!

The Winner’s Curse – Marie Rutkoski

Now, the plot of The Winner’s Curse is pretty different to the plot of The Selection, I’ll say that straight away. But the reason this is on my list is, again, because the setting gives me similar vibes. It’s set again in a nonspecific historical time that feels sort of medieval. Now I know The Selection had TVs, but there weren’t things like phones and the internet, and the whole royalty thing really gave it a historical feel, so I get the same kind of vibes from The Winner’s Curse. (Note to self: look up synonym for ‘vibes’ – or just think of a better way to express yourself.)

This series also has an upper class/royalty things going on, as our main character is the daughter of a general and lives on a large estate with plenty of servants. Well, slaves, actually, as the book is set ten years after the main character’s people have taken over Herran and enslaved its people. So this book also has plenty of politics if you enjoyed that part of The Selection, as there are obviously huge strains between the countries, and there’s plenty of strategy and tactical thinking in this one too if you’re ready for the next step up!

The Siren – Kiera Cass

If none of these are jumping out at you and you just want more of Kiera Cass’ writing – she does have another book! I’d preface this with a little note to bear in mind, which is that The Siren was originally self published, and was written before The Selection, and I do feel the writing is just not as good. It’s still an enjoyable story, but I don’t think it’s quite at the same level as The Selection series.

This is a pretty different story – it follows a girl who is chosen by the sea to become a siren, essentially working for the sea. She lives her life with the few other sirens, and that’s where I feel this book is similar to The Selection, as it has great female relationships and writes women really well. Each of the girls have their own strong, unique personalities, but they all accept each other and get along. They go through ups and downs together, each coping with their odd and difficult life in their own ways, and I really feel that the female characters are the strongest part of the book. Well worth checking out if you enjoyed that aspect of The Selection.

So – do you think you’ll be checking out any of these books? Do you have any of your own to recommend? Please let me know!

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Out of the Easy – Ruta Sepetys | Book Review

 

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Title: Out of the Easy

Author: Ruta Sepetys

Genre: Historical, young adult

Publisher: Philomel Books (Penguin Random House)

Pushlishing Date: 2013

My rating: ⋆⋆⋆⋆⋆

Well, she’s done it again. And by that, I mean, she’s done it before. Because she wrote this before she wrote Salt to the Sea. But I read that before I read this book.

Shall we start again?

This book is set in 1950s New Orleans, and follows the daughter of a prostitute. Yep, that’s all I need to pick up a book! The main character, Josie, lives above the bookshop she works in, and spends her mornings cleaning up the local brother where her mother works, reporting any found items to the madam, Willie. Josie longs to get away from this town where everyone knows her as the daughter of a prostitute, and make something of herself. She is inspired to apply for college in another state after a chat with a gentleman in her bookshop – who, the next morning, is found dead.

The story really kicks off from there, as Josie has a renewed determination to get out, while trying to find out what happened to this man, meeting interesting new people, and juggling her two jobs, her college application, and a trying relationship with her awful mother.

The first thing to say about this book is that it has such amazing characters. There are so many, but they’re easy to keep track of, and they all have such vivid, distinct personalities. Willie has got to be my favourite, she’s one of the best characters I’ve read all year. Ruta Sepetys manages to create so many believable and fully developed characters that are all so fun to read about. Her mother is a great character too – such a piece of work. She’s one you’ll love to hate. Josie herself was a great female lead – independent, intelligent, super hardworking, determined, and so likable.

The setting of 1950s New Orleans was set so well, the book gave a real sense of what it was like to live there. Everyone knows everyone else’s business, and it seems like Josie can’t turn a corner without bumping into someone or other. The ties between people give it a real small-town feel, but the description of the bustling streets show that it’s growing fast.

So, characters? Yep. Setting? Yep. Plot? Loved it! What made this plot so great for me was that it was so unpredictable. There were times where I thought I knew what was going to happen next, but I never managed to get it right. Most of the time I had no clue where it was going, and I loved that. There’s a really nice edge of mystery to this story as she tries to figure out how this man ended up dead, but it by no means takes over the story. The story is more like a lot of different sub-plots, all of which Josie manages to be involved in. It’s never confusing, but there’s always something going on which meant I devoured this book.

Through the entire book, I had literally one negative thing to say about it- and it’s really nit picky. There’s a prologue, involving seven year old Josie, which ends with ‘that was ten years ago.’ I felt it was a little sloppy, as the next chapter could easily have just said ‘ten years later.’ Having a fist person narrator say ‘that was ten years ago’ makes it sound as if they are directly addressing the reader and telling them a story, which is not the overall narrative style of the book. But you know what? It bugged me for a couple of pages, and then I completely got over it and fell in love with the book.

Amazing, five stars.

Did I mention that she LIVES AND WORKS IN a bookshop?

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Trope-Busting YA Novels

 

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Young Adult books get a bad rep. Some of that might be for good reason (I can think of plenty of crappy YA books off the top of my head) but those books somehow seem to represent the whole of YA as a genre (if it even is a genre) and that sucks. There are plenty of great YA books out there, and those should be the ones that represent YA. After all, those great books are the reason I keep reading YA!

One of the biggest things people cite when bashing YA is the use of tropes. The whole, ‘I’m a clumsy white brunette who’s not like other girls, and I’m the ONLY ONE who can save the day in this dystopia I’m living in, and along the way I meet this bad boy who I instantly love and can’t live without, but uh-oh what about this typical nice guy who I’ve been friends with for years – I wonder what my black/asian/gay best friend has to say about all this? Also it’ll take three books to tell you about all this, except the second book will be super boring because this story doesn’t really need to be told over three books.’

So I thought I’d share some of my favourite YA books that either do a trope well, put a great spin on it, or just defy them completely. Of course there are plenty more than just these, but I don’t have all day here, so please leave your recommendations in the comments – I’d love to read them!

Trope #1: ‘I’m not like other girls’

This is a horrible trope. Not only is it just something that’s annoying to read, it really gives a bad message to readers, particularly to any younger girls that are reading. This has the message that it’s bad to be like other girls, and that boys only like girls who are ‘different.’ Putting down other girls does not make the main character better, it makes her worse.

The trope-buster: The Winner’s Curse by Marie Rutkoski

Now, the main character here, Kestrel, isn’t perfect. But she definitely goes against this trope. She also goes against the trope of a main girl who has little to no personality, no hobbies, no interests, she’s just kind of nothing-y. Kestrel knows that she wants, and isn’t afraid to go for it. In the world of The Winner’s Curse, anyone (male or female, which I love) has two choices when they reach 20: join the military, or have children. Kestrel has spend her life being trained up, as she’s the daughter of a general, but she knows that it just isn’t for her. She’s good at strategy, she likes to use her mind – she doesn’t like fighting and she isn’t great at it. She also loves playing the piano, even though it’s frowned upon as it’s something only the slaves should do, but she does it anyway. Kestrel manages to have a rounded out character of her own, without having to compare herself to others to validate it.

Trope #2: The tokenistic diverse character

This is a bit of a tough one to discuss, because the line between a good diverse character and a tokenistic one is a little blurred. And, generally, as a white, cis female, I find it difficult to put in my opinions on this. However, it’s hard to get wrong when it’s seen a lot. For example, a trope that seems to go around a lot of having a diverse best friend, while the main character is cis, white, and straight (like the Indian best friend in the Vivian versus series, or the gay, black friend in Mara Dyer). I suppose the way to bust this trope is to have a diverse main character, or, if the main character is cis and white, to have more than just one diverse secondary character, and to develop them.

The trope-buster: Beauty Queens by Libba Bray

This one is busting tropes all over the place. The basic premise of this story is that a group of girls competing a beauty pageant crash on a desert island. This has characters of different ethnicities, sexualities, religions, even that struggle differently with gender. The way the narrative goes in this story, each of the girls get a perspective at some point, which means each character is developed really well. The backstories and effects of being a minority in a mostly white/cis/straight society are addressed and dealt with really well, so this one definitely doesn’t use tokenistic diversity.

Trope #3: The Love Triangle

Does this one even need an explanation? It’s gotta be one of the biggest tropes out there. A girl is in love with two guys and readers get strung along while she agonises over which one of these eternally devoted boys to pick – neither of whom seem to mind that she has feelings for them and for someone else. This always bugs me and as soon as a second love interest is introduced in a book it always lowers my opinion of it – couldn’t the author think of anything else to do?

The trope-buster: Out of the Easy by Ruta Sepetys

This book is great for some many reasons, but it has a really nice version of a love triangle. First of all, the main character’s love life is, if anything, a sub plot. Or even a sub sub plot. There are so many bigger things going on in this book and she always makes those things a priority over any feelings for guys she might be having. Second is that it’s a really weak love triangle. There’s no huge struggle between two guys, and for most of the book it isn’t really an issue. It just seems like a realistic way to do it, because she’s a normal teenage girl who’s never had a boyfriend, who knows two very different guys and likes them both for different reasons – as friends. People around her start to talk and gossip and wonder about which guy she likes, and that’s really what makes her start to think of them as possibly being more than friends. Usually love triangles are so annoying because they’re so over the top and unrealistic, but this seems like something that a lot of girls might struggle with, as they’re getting into their first relationship and wondering what they like and don’t like in other people.

Trope #4: Second book syndrome

I don’t know if this is a trope exactly, but it comes up a lot in YA trilogies. Second book syndrome is basically where the first and third books are good, but the second one is crappy. Usually it’s because the second book feels like it’s building up to something, and that something is book three. It might have a slow plot, it might all feel like filler before you can get to the third book – a trope often associated with a second book is where two characters from the first book are now separated for some reason. I have read plenty of these. I suspect it’s because publishers love a trilogy because they make more money, so books that may only need two or even just one book to tell the story are made into trilogies.

The trope-buster: Shift by Hugh Howey

Shift is the second book in the Wool trilogy – and it’s the best one in the entire trilogy. Take that, second book syndrome. I feel like this is even more impressive because this trilogy was originally self-published, before publishers discovered the brilliance that is Hugh Howey and jumped on the series. This second book is actually a prequel to the first book, which already makes it stand out from most trilogies. However, just because it’s a prequel doesn’t mean it’s going to be great. It could be full of dull backstory that an author wrote to fill up another book. THIS IS NOT THAT. This second book has so many twists and turns, it makes you think completely differently about the first book, and leaves you gagging for the third book now you have all of the twisty knowledge. The number of times my jaw dropped reading this. All three books in this series are great, that’s why it’s my favourite series ever, but the second one is the best. And you can’t say that about many sequels.

Trope #5: Instalove

Instalove. Isn’t that word an oxymoron? Surely it’s impossible to fall in actual real genuine love in an instant. Sure, they might think they’re in love. I met my current boyfriend when we were 13 and I was convinced I loved him straight away. We’ve now been together eight years and let me tell you, 13 year old me knew nothing about love. Just because we stayed together doesn’t mean that I felt real love. It meant I felt normal teenage feelings that grew into love. (Aww.) I feel like having instalove in a book is a sign of a not great author. I use the term ‘not great’ because they may be great in most other ways, but including instalove always bring them down a peg for me. Instalove is not realistic, it’s not authentic, even in magical fantasy worlds, it is just silly. Why an author would write something so far from the real world I don’t understand.

The trope-buster: The Leaving by Tara Altebrando

I’m gonna be vague here, because this book is a mystery. I mean it’s in the mystery genre. I think? A bunch of kids that went missing years ago come back with no memories, and they try and figure out what’s going on. I love this book, excuse my crappy synopsis there. So right from the beginning of the book, two of these kids feel drawn to each other. They feel like they have a connection, they think they must have been in a relationship before they lost their memories, and they feel this pull towards each other. Now, when I was reading this, my eyes were rolling up the skies. I just thought the author had used the amnesia thing as a way to excuse the instalove and sloppy character/relationship development. But I spoke to soon. The characters start to feel obligated to be together, but they’re not really feeling it. I really love this spin on the instalove trope because it’s basically in reverse – the love is there already and they kind of back away from it. And then other stuff happens. No spoilers here!

I’m looking at the word count for this blog post and I figure now’s a good time to stop. As a side note, I highly recommend every single one of these books, they are all fantastic and some of my favourites! Let me know if you can think of any other trope-busting books – or leave your most hated tropes in the comments and I’ll try and find books that bust them!

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Book Review: Asking For It – Kate Harding

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Title: Asking For It: The Alarming Rise of Rape Culture – and What We Can Do About It

Author: Kate Harding

Genre: Non-fiction, feminist

Publisher: Da Capo Press

Pushlishing Date: 2015

My rating: ⋆⋆⋆⋆

Asking For It is an incredibly in-depth look at what ‘rape culture‘ is, how it is perpetuated, and the consequences of it. The book is split into three main sections: the first goes into depth about what rape is, clearing up any ideas about ‘grey areas’ that readers might have, and looks at the many myths surrounding incidents of rape. It also looks at the issues with stigma, backlash, blame, and discusses how the general population seems to view rape.

The second section goes into detail about rape and the law, from research carried out with police officers (for example, the study on 11 police and sheriff’s departments in the USA which found that 22.7% of the officers agreed with the statement: ‘any victim can resist a rapist if he or she really wants to’), to discussing the laws surrounding rape, and how rape cases are dealt with at trial – if they ever get there. The final section explores the more ‘pop culture’ or everyday side of rape culture and how it affects our everyday lives, and discusses subjects like online gaming, trolling, and examples of backlash when celebrities have been accused of sexual assault.

This book is essentially about two things: the issues surrounding masculinity as an identity and as a goal (which encourages violence and dominance, often sexually), and the issues within our culture and within our legal system that mean that most rapes go unreported or unpunished.

Now, after that extremely serious synopsis, the first thing I want to point out is the writing style: it’s fantastic. Kate Harding has such a strong and relatable voice which comes through clearly in her writing, so it feels like we’re being informed of all this by a friend. She manages to keep the tone light with sarcastic jokes (because, unfortunately, some people are so horrendous all you can do is laugh at their stupidity)(Note: I don’t mean I’m laughing at rapists, I mean I’m laughing at the guy who said that if a woman gets pregnant by her rapist then it wasn’t a real rape, as women have ways of ‘shutting that whole thing down.’ You can’t help but laugh at that ridiculous stupidity.) Yet, of course, the tone is always appropriate and doesn’t make light of anything that shouldn’t be.

Another thing I love about this book is its heavy usage of facts and statistics from actual, scientific research. Much feminist literature is purely anecdotal, and, while I love a lot of those books as they are good in their own way, I feel like the persistent and frequent use of real numbers in this book really hammered home the point. Don’t let that fact scare you off, they’re explained in completely simple and understandable ways, this book never felt like a chore to read.

The author shares her own rape story right at the end, which I think was a great choice and I applaud her for it. I feel like waiting until the end to share her story meant that I could put everything I’d just learned into practice – in a sense. When she described feelings of guilt, I knew why. When she described how others reacted, I knew why. When she described why she didn’t report, I knew why. It kind of showed me just how informed this book had made me.

The reason I didn’t give this book 5 stars is because of the editing, not at all because of the content. Sometimes the writing felt a little sloppy, with long sentences and multiple clauses which sometimes made it difficult to understand. It’s not too much of a major thing, and I certainly wouldn’t want that to put anyone off reading it as mostly it was fine, but I do feel like it should have been better edited.

Ultimately, the problem with a book like this is that everyone needs to read it – but not many people will. For me personally, I feel so much better informed of this issue, everything that goes into creating this issue, and the consequences of it. The book is more than just about rape, it’s also about masculinity and femininity and how that’s presented to us by our culture, which I feel is relevant for a general understanding of feminism. If you’re interested in expanding your knowledge of feminism and of rape culture I would definitely pick this up. Even if you feel like you’re a little lacking in knowledge, this book works for total beginners even if you’ve never read a feminist text before.

This book took an extremely difficult and important topic and managed to expertly inform of the facts from so many different angles, while keeping the entire book easy to read and – well, as enjoyable as a book on rape culture can be.

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My Non-Fiction TBR

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Non-fiction is a genre that I’ve been getting more and more into over the past year or two, and I’m also seeing it become more popular on booktube! So today I thought I’d share some of the non-fiction books I really want to get around to reading soon. This is definitely not all of the non-fiction books I own, and I’m also currently reading one, but these are the ones I’m most keen to read.

The Man Who Mistook His Wife for a Hat – Oliver Sacks

I own a few books by Oliver Sacks but this is probably his most famous – plus it’s the shortest. I started this a few years ago when  Iborrowed a copy from a friend and really enjoyed it, so I’ve since bought my own copy to read myself. Oliver Sacks was a neurologist who worked with patients who had unique conditions, so each chapter of this book is a case study on a different patients. Many of his other books have a common theme running through them, like how Musicophilia is about patients with neurological conditions regarding music and sounds, but this book is a more general introduction to his work and a range of some of his most interesting and odd cases. One of the patients cannot recognise objects for what they are, which gives the book its title. Another patient has a sort of amnesia where he has no memories past a certain point, so he’s an elderly man who wakes up every day thinking he’s in his early twenties, and another is about a patients with extreme mathematical abilities. I remember from reading this book the first time that some of the cases are quite sad, but Oliver Sacks always does whatever he can to give the patient the best quality of life can. I can’t wait to reread the start of this and finish it off.

Power Systems – Noam Chomsky

Noam Chomsky is an interesting person for me, as he’s a linguist that I’ve studied throughout my degree as well as a political activist and writer. Chomsky has a lot of books I want to read but this is one of his most recent. The book is a collection of conversations and interviews discussing some important modern issues, such as the dynamics between big business and the working class, the rise of the far right, and the breakdown of some traditional and mainstream political institutions. I really enjoy politics but it’s never something I studied, so I have quite a few political non-fiction books I want to work my way through!

The Establishment – Owen Jones

This is another political book, the subtitle of which is ‘and how they get away with it.’ This book is marketed as a kind of exposure of the secret goings-on within the UK government, as well as the press and big businesses, and how they’re all connected. I believe the general argument of the book is that the people at the top are using their power to help themselves while spinning lies about how they’re realling helping the people. As someone with a very opinionated and liberal family this view is nothing new to be, but I’ve never really read anything that tries to put some kind of tangible arguments behind these ideas, so it’ll be interesting to see what Owen Jones has to say about it.

Sapiens – Yuval Noah Harari

This one is a chunker and at around 460 pages I think I’m going to have to take my time with this one. The subtitle of this book is ‘A brief history of humankind’, so I’m sure it’s going to be jam packed with information. I really enjoy history, but I also really enjoy sociology, politics and anthropology, so this book seems great for that. Rather than just relaying facts about the progression of our species, it asks questions about how we went from being foragers to having whole kingdoms, where religion comes from, and what our world might be like in the future. It sounds absolutely fascinating, but I think it’ll take me a good few months to get through.

Prisoners of Geography – Tim Marshall

The subtitle of this one is ‘Ten maps that tell you everything you need to know about global politics.’ So, this books takes a bit of a different stance on politics, and it uses the geography of the world to explain things. The blurb says that it answers questions about why the USA was ‘destined to be a global superpower’ and why China’s power continue to expand, and stresses the important of geography when trying to understand the full picture. I’ve never thought too much about geography, and in fact I have another non-fiction book that argues that geography is mostly irrelevant when it comes to how successful a country is, so it’ll be good to compare their ideas!

I Am Malala – Malala Yousafzai

I’m sure you’ve all heard of Malala and her book but in case you haven’t, this subtitle should sum it all up: ‘The girl who stood up for education and was shot by the Taliban.’ When the Taliban took control of her village, Malala stood up for her right to an education and was shot in the head. She managed to survive, and is now an ambassador and an activist fighting for education and equal rights for women across the world. I know her story will be difficult to read, but I also think it’ll be inspiring and I think I’ll learn a lot from it.

Have you read any of these? Let me know what you think! If you have any non-fiction recommendations please do let me know because I’m always looking for more!

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Reading Goals – Mid-Year Check In

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I did a video about this a little while ago but I wanted to go into some more depth about what I’ve read so far this year, and what I want to read for the rest of the year. I wasn’t really doing anything with my channel or this blog at the beginning of 2016, as I was focusing on my work and my degree, so I didn’t actually set any goals. However, I do have my goodreads goal, and I’ve formed some ideas on what I’d like to get read by the end of the year, and I also have a big goal left over from 2015. Let’s start with that one.

My 2015 TBR

At the beginning of 2015, I made a shelf on goodreads filled with all the books I really wanted to read by the end of the year. I don’t really remember why some books made the list and some didn’t, but it was probably either because I was just really excited to read them or I’d owned them for a while so wanted to get them read. Since then I’ve managed to read around half, but there are quite a few left! I think it’s pretty unlikely that I’ll get them all finished by the end of my year, some of them I’m just not really that interested in anymore and I have other goals that’ll take priority, but it would be great to be able to tick some more off of this list! So here are all of the ones left…

Water for Elephants – Sara Gruen

Sally Heathcote: Suffragette – Mary Talbot

We – Yevgeny Zamyatin

The Strange and Beautiful Sorrows of Ava Lavender – Leslye Walton

Midwinterblood – Marcus Sedgwick

The First Fifteen Lives of Harry August – Claire North

Rebecca – Daphne DuMaurier

Cloud Atlas – David Mitchell

The Mayor of Casterbridge – Thomas Hardy

The Ocean at the End of the Lane – Neil Gaiman

California – Edan Lepucki

Hollow City – Ransom Riggs

Wither – Lauren Destefano

The Sparrow – Mary Doria Russell

My Goodreads Goal

Last year my goal was 50 books and I just about managed this, I think I ended up reading 51 or 52 books. I decided not to up my goal for 2016, but I have changed the way I think about it. This year I want to read 50 full-length novels, not including short stories or graphic novels (which, as far as I can tell, there isn’t a way to do this on goodreads??). So although the number isn’t higher, I do want to read more this year! So goodreads tells me that I’ve already achieved this goal, but if I go through and count I’ve actually only read 36 books – though this still puts me ahead on the goal!

New mid-year goals

Halfway through the year, I reflected back on my reading and set a few new goals that I want to achieve by the end of the year:

Read at least 5 books per month: I set this as my goal as I think it’s pretty realistic. Generally the only way I’ll read less than 5 books a month is if I’m being pretty lazy with reading, so this goal is basically saying ‘don’t get lazy!’

Finish 2 series: Specifically, I want to finish the Winner’s trilogy (at the time of making this goal I’d only read the first one, now I’ve read the sequel too) and the Forsaken trilogy (I’ve only got the last one to go). I am reading maybe one or two other series (the Miss Peregrine series is the only one that comes to mind) but I didn’t include them as I’m just not super passionate about the series.

Read 2 historical fiction books: Since making this goal I’ve read one, The Lifeboat by Charlotte Rogan. This goal should be super easy for me as I adore historical fiction and I’m reading more and more of it. I will probably complete this goal this month!

Read 2 non-fiction books: Again, since making this goal I’ve read a non0fiction book, In Order To Live by Yeonmi Park. This is another one that should be easy since I love non-ficiton, but I buy non-fiction books at a much faster rate than I read them! I’m partway through another non-ficiton book right now so should have this goal finished pretty soon, too.

Read 2 classics: This one is going to be the hardest. I never read a lot of classics, but I used to read a lot more than I do now and I want to change that. I’ve enjoyed every classic I’ve ever read and quite a few are my favourite books of all time! I don’t tend to pick them up any more purely out of laziness, young adult and even a lot of general fiction is just easier to read than classics. I own so many classics I’m excited to read – at the moment I’m most excited about The Mayor of Casterbridge and The Scarlett Letter – so I need to read at least two by the end of the year!

So those are all of the goals I want to achieve by the end of the year – did any of you have a check-in with your goals halfway through the year? Let me know how you’re doing with your goals!

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My Book: When Summers End

when-summers-end-prologue

Today I’m sharing the first part of the book I’m working on: When Summers End. It’s not a firm title, I think it might sound a little too cheesy, but it kind of fits with the content of the book so that’s what I’ve got for now.

I’ve just uploaded the Prologue so far, which is pretty short, but hopefully it’s a nice introduction. Personally I’m never really too keen on prologues, but I think it works with the story. Throughout the book I’m trying to foreshadow what happens without giving too much away, and I hope the prologue starts that off well.

I’ve uploaded it to Wattpad and that’ll be where I upload the chapters as I finish them. I’m embedding the story below, but if you want to read it on the Wattpad site you can click here. I’d love to know your thoughts – hope you enjoy!

Oh, and please do ignore the synopsis. I am terrible at summarising my book. The synopsis sounds rubbish, but it’s the best I can do!

 

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Currently reading – Thoughts #1

currently-reading-thoughts-1

I thought I’d start a little series where I share my thoughts on some of the books I’m currently reading. Sometimes I’ll have so many things to say about certain books that I either forget half of it, or I’ll cut half of it out of my monthly wrapup videos because I just end up rambling. I usually read multiple books at once, from different genres, so that whatever mood I’m in I’ll have something on the go that suits it. Let’s see how this goes!

Bad Feminist – Roxane Gay

This is the book I’ve started reading most recently, I’m 234 pages in and it’s 320 pages long. I can’t quite decide if I’m enjoying this or not. It’s turning out to be a very different book to what I thought it was, so at first I flew through this because I was really excited about it, but the more I’ve read the slower I’ve read it and now I just kind of want to get it finished.

This is a collection of essays by Roxane Gay, who’s an American professor, author, a black woman, and a daughter of Haitian immigrants. The book is essentially about her perspective and experience of life. There have been a few essays I’ve really enjoyed, I really liked ‘Typical First Year Professor’ which is about, as the title says, what it’s like starting out as a professor. I loved hearing all about that because that’s the kind of career I hope to have, I’m just about to start my master’s. I also really enjoyed ‘The Careless Language of Sexual Violence’, which is about the way sexual violence is reported in the media and portrayed on television, and how we as a society have become sort of numb to the horrors of these acts. There’s also a pretty good discussion on the Fifty Shades books.

There is one particular essay that I really had a problem with, though, and that’s 1960s Mississippi: Thoughts on The Help. This was quite a coincidence for me because literally the day before I read this chapter, I’d watched The Help – not for the first time, I love that film. So I was quite interested to hear what she had to say about it, and very disappointed when she ripped it apart. I feel a little awkward discussing this as a white person, but I do feel that I’m still entitled to talk about my interpretation, I’m just very conscious about offending someone.

Warning: The following 2 paragraphs contain spoilers for the book/movie. I don’t consider them huge ones, more subplots, but if you don’t want to hear anything about the storyline then skip the next couple of paragraphs 🙂

I felt like she very specifically picked and chose which bits of the movie to discuss, and left out anything redeeming about it, for the sake of criticizing it. It felt extremely biased. For example, she mentions how, at the end of the film, Celia and her husband tell Minny ‘You have a job here for the rest of your life,’ because they’re so grateful for all she’s helped them with. Roxane Gay writes ‘Minny, of course, beams gratefully because a lifetime of servitude to a white family, doing backbreaking work for terrible pay, is like winning the lottery and the best a black woman could hope for in the alternate science fiction universe of The Help.’ My first issue with that is that actually, during that time period surely that was a pretty good position to be in for a black woman, considering that many of the struggles these black maids have experienced or discussed in the movie revolve around losing their jobs. But my main problem with this point is that Roxane Gay has deliberately only included part of the sentence. Celia’s husband actually says ‘You have a job here for the rest of your life. If you want it.‘ That, I feel, is a crucial point, because he’s telling Minny that it’s up to her, that it’s her choice, she could go on to do these bigger and better things that Roxane Gay implies are available to her, but if she chooses, she can work for them for as long as she wants. When you exclude that last part of his line, as Roxane Gay did, it completely changes the meaning so that it fits with her argument. I was quite frustrated with that.

The other big problem I had with her argument was how she discusses the fact that Minny is a victim of domestic abuse. Minny is physically abused by her husband, and in one scene the woman she works for, Celia, sees the bruises on her face and encourages her to hit him back. Later in the movie, Minny leaves her husband. Now, I didn’t interpret these things as related, as she leaves him after the book The Help has been published, so I assumed that that’s what gave her the strength and courage to do it, rather than her boss telling her to hit him back a few months ago. Roxane Gay writes ‘the narrative leads you to believe that Celia indirectly empowers Minny to leave her abusive husband, as if a woman of Minny’s strength and character couldn’t do that on her own.‘ I actually found this interpretation to be quite offensive to women who are victims of domestic abuse. Roxane Gay’s statement here implies that if you’re a strong person you should be able to leave your husband when he becomes abusive, but the truth is that even if you are a strong woman, you can become trapped in that relationship. I don’t think this scene was about race, I think it was about women. I interpreted the scene to be saying that women need to help and support each other, no matter their race. That’s just my interpretation, but I think it’s ridiculous to say ‘as if a woman of Minny’s strength and character couldn’t do that on her own.’ I really think that’s quite offensive.

This essay kind of tarnished my whole reading experience, because it opened my eyes to just how easily she is able to construct a compelling argument through deliberately picking and choosing what to include and what not to include, and stating her interpretation as fact. I really enjoy, appreciate, and agree with a lot of what she says, but it’s made me question the entire book and left me with little enthusiasm to finish the rest of it. Luckily this essay was in the last third of the book so I don’t have much left!

Wow, that turned out to be super long.

Bird Box – Josh Malerman

I’m one chapter into this book, I picked it up because I didn’t really fancy reading any of the other books I’m currently reading. I’m not totally sure what this book is about because the blurb and first chapter are very vague, but it’s about some kind of apocalypse where everyone who looks outside goes blind – I think. It sounded exciting and creepy, and I’ve heard really good things about it, but the first chapter hasn’t really done anything for me.

The first line of this book wasn’t great. First lines don’t have to be good, a book can have a boring first line and go on to be great, but a good first line really helps. The first line of this book is ‘Malorie stands in the kitchen, thinking.’ Meh.

The main problem I have so far is it hasn’t told me anything! It’s four years after whatever happened happened, and this woman, Malorie, has two four year old children, who for some reason she calls Boy and Girl. This makes me kind of not like Malorie, as that seems like a really cold and unloving thing to do, not name her children. Maybe that’ll be explained later, though.

The book alludes to the fact that certain things have happened in the past and there are certain dangers outside, but it’s all just so vague that it’s started to bore me. I think there’s a fine line between a thrilling, need-to-know-more vague, and just a dull, I-don’t-know-what’s-going-on-vague. So far, this book is the latter.

But I’m only a chapter in, hopefully it’ll get better!

Noughts and Crosses – Malorie Blackman

This one I’m rereading, I’m 89 pages in. I read it when I was about 14/15 and I loved it. I also read the second one, then I got about halfway through the third one before giving up because I found the plotline too confusing, and I never even bought the fourth one. I wanted to revisit this series because I really enjoyed the first two books, and now that I’m older and (hopefully!) more able to keep up with the storyline, I think I’ll really enjoy the third and fourth books too. This is a pretty well known and well loved series so I’d love to get it read.

It’s set in a world similar to ours, where the ‘crosses’ are black, and they have the power and wealth in society, while ‘noughts’ are white, and they’re poor, lower in society, mostly work for the crosses. They’re sort of going through integration, an elite school has just this year allowed noughts to apply, and a lot of crosses are very, well, cross, (ha ha) about this. It’s essentially a book about race and hate and terrorism, and turns our actual history on its head.

The problem is, it feels a little childish. It has two perspectives, a 14 year old girl and a 16 year old boy (I think those are the right ages!) and I can really hear their youth, particularly in the girl’s chapters. I know it’s something I just have to read past though, because if I remember correctly, the rest of the books are narrated by older characters.

Also I feel like there are an excessive number of exclamation points.

Why Nations Fail: The Origins of Power, Prosperity, and Poverty – Daron Acemoglu & James A. Robinson

I’ve been reading this book since December. I’m 115 pages in, it’s 462 pages long. It’s non-fiction, and is looks at the reasons behind why some countries are rich and some are poor, when they can be so similar – like why the United States is so rich and powerful while some of its neighbouring countries aren’t. It essentially argues that it has nothing to do with geography, or culture, as other people have argued – they argue that it’s due to the different political systems put in place throughout history.

This book combines two topics I love: politics and history. I found this book brilliant at first, it was so interesting, it discusses things I’ve never heard discussed before and made some excellent points. But then it got kind of repetitive. I feel like I have to get through this (large) chapter in order to get onto a slightly different topic, but I can’t bring myself to do that for the moment because it really feels like they’re making the same points over and over!

Have you read any of these books? I’d love to hear your thoughts!

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Sharing My Writing

thoughts-on-sharing-my-writing

Writing is something that is difficult for me. In theory, I really enjoy it, but the reality is that as I’ve gotten older I’ve become so critical of myself and the things that I create that writing ends up being difficult. I’ll start writing, then I’ll worry it sounds childish, I’ll worry it’s boring, repetitive, that I could have phrased that last sentence better. So in recent years I haven’t written much at all.

When I was a child it was easy for me to write, I hadn’t developed the insane idea that everything I write is just rubbish. I wrote anything and everything I wanted to and wanted my whole family to read it. I don’t think I’m alone in this, I think developing a self-criticism is something that happens to a lot of people as we get older and it’s not necessarily a bad thing unless you let it be.

I don’t write because I worry it sucks. I go over and over my writing to the point where I’m so wrapped up in the negatives that I can’t see anything good about it. I’m working on using self-criticism to improve my writing and make it better, rather than stopping me from writing completely.

I don’t write because I worry it’s a waste of time. What’s the end purpose of my writing? It’s like singing. I really love singing but, again, I’m so self-critical that I cannot sing in front of others. So I don’t join in in choirs or take part in shows, all I do is sing by myself when everyone else in the house is out. I don’t intend to publish anything that I write, mostly because of this annoying self-critical thing I’ve got going on where I feel like there’s no point trying because no one will like it anyway. And because to me it feels too big headed to say ‘look at what I’ve written, it’s good enough to be published, I’m going to send it off to agencies’ – though I know that, of course, that’s not big headed and I applaud anyone who has the bravery to put themselves out there like that. But since I’m not writing with the intention of doing anything with that writing it feels a little bit like a waste of time. But then, is spending my time doing something I enjoy a waste of time?

Here’s a weird one, I don’t write because I worry I won’t do my ideas justice. I have so many ideas and characters swimming around in my head. In my mind, they’re perfect, beautiful, fun, exciting, nuanced stories with compelling, realistic characters. I worry that if I start trying to actually put these stories down on paper, I won’t be able to make them as good as they are in my mind. How can I put a huge, complex, intricate concept into words – the idea of putting something so abstract into something so finite and distinct as words is slightly terrifying.

But – I’ve realised recently that I need to get over myself. Writing might be difficult, it might not always be fulfilling, I might be faced with the fact that I’m not as good a writer as I’d like to be, but here’s the thing:

Not writing is certainly not making me happy.

So why not write, despite these worries? My writing might suck, but I’ll enjoy it in the meantime. I might never intend on publishing it, but engaging with a hobby is something that most people do, a hobby doesn’t need to have a bigger purpose than just fun. And I might not be able to do my ideas justice, but surely getting them out in any form, even a rough one, is better than not getting them out at all?

So, I’ve decided I’m going to make writing for fun a priority, and I’m going to challenge myself to publish it online. So here’s my Wattpad profile:

https://www.wattpad.com/user/harrietrosie

There’s not a ton of stuff up there yet, but I plan on adding to it. Maybe no one will read it and that’s fine, but adding stuff to Wattpad provides me with a kind of end goal with my writing that I like.

Do you ever experience any of these doubts about your writing? What do you do to deal with them? Leave a comment or tweet me and let’s discuss together and support each other!

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